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Eternity in an Hour
Site responsive installation commissioned by Rufford Abbey Country Park in 2015. This large scale mirror with plug represented the historical context of the site and Lake Nemi, also known as Diana's Mirror.
In Wind there is Time
Part of site-responsive installation at the Apsidal Gallery, Rufford Abbey Country Park in 2015.
In Wind there is Time
Part of a site-responsive installation at the Apsidal Gallery, Rufford Abbey Country Park, 2015.
Windmill Field
Windmill Field represented all the 'fallen' windmills and millers that once were a main feature of the Lincolnshire landscape. It formed part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project in 2014, funded by the Arts Council.
'Flours' at Ayscoughfee Hall
'Flours' in the large-scale site-responsive solo exhibition at Ayscoughfee Hall, part of the Since Sliced Bread project
Friends of the Mill
Part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project, funded by the Arts Council.
We are what we Eat
This poem formed part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project, funded by the Arts Council.
Ayscoughfee Hall
Ayscoughfee Hall - a large-scale site-responsive solo exhibition and installation in 2014 as part of my Arts Council funded Since Sliced Bread project
'Flours' at Ayscoughfee Hall
'Flours' in the large-scale site-responsive solo exhibition at Ayscoughfee Hall, funded by the Arts Council in 2014 as part of my Since Sliced Bread project
Flourish at Harrington Mills Studios, British Art Show Fringe
During this residency, Fi was drawing and mark-making in the flour gardens using items found in the kitchen cupboard and around the house.
It was important to Fi that the mark-making was both spontaneous and ritualistic to evoke the feeling and philosophies behind Japanese Zen gardens.
This residency built on Fi’s other works Ruminate and Reader’s Digest and provided a platform for looking at both the ephemerality and permanence of thoughts.
Throughout the residency, Fi produced both large and small-scale images; some of which will form the content for the artist’s book .
Berlin
'You are what you Eat' and other prints were selected for the Candid Arts Trust exhibition in Berlin.
The exhibition took place between 3rd – 18th May 2012 at Universität der Künste Berlin.
Sift at Wirksworth Festival
Close up of Sift a large-scale installation at Wirksworth Festival in 2011.
Sift at Wirksworth Festival
Site responsive large-scale flour installation, 2011
Flourish, British Art Show Fringe
During this residency at Harrington Mill Studios in 2010, Fi was drawing and mark-making in the flour gardens using items found in the kitchen cupboard and around the house.
It was important to Fi that the mark-making was both spontaneous and ritualistic to evoke the feeling and philosophies behind Japanese Zen gardens.
This residency built on Fi’s other works Ruminate and Reader’s Digest and provided a platform for looking at both the ephemerality and permanence of thoughts.
Throughout the residency, Fi produced both large and small-scale images; some of which will form the content for the artist’s book .
Image credit:Claire
Sift at the Wirksworth Festival
A site-responsive large-scale flour installation at Wirksworth Festival in 2011. Image courtesy of the festival.
Beyond the Material World
Something and Nothing, an installation at the International Association of Quantum Artist’s show in York in 2012.
Moulton Mill
These 'facts on sacks' were part of a site-responsive installation at Moulton Windmill in May 2014. This solo exhibition took place as part of my Since Sliced Bread project, funded by the Arts Council.